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A World Without Colour..
Researching Sara-Louise Dobson Researching Sara-Louise Dobson

A World Without Colour..

Looking over my research from the last 12 months, the main things that stand out are my curiosity for raw materials, for the monochrome, the bare bones of materials. Having recently read Patrick Grant’s Less, this further cemented my yearning to make a difference, by going back to basics in a sense. From a visual art point of view, my eye is often drawn to black & white. I shoot in B&W, I began my jounrey into portrait realism in B&W, I love the rich, deep tones of charcoal, along with it’s raw, natural aesthetic. Some of the most striking imagery I have ever seen has been purely B&W. Perhaps by avoiding colour, we accentuate a deeper level of substance, that speaks far more nuanced and cuts deeper than anything else.

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Back to Black
Photography Sara-Louise Dobson Photography Sara-Louise Dobson

Back to Black

I have always had a fascination with monochromatic imagery. From visual art to photography and even interior design, black and white seems to have a timeless look, that appeals to me.

When I began painting professionally, I reached for black and white as a way to hone my skills in tone, shade and form. Taking away the colour mixing aspect certainly helped to develop my skills as a painter. As well as this, I thoroughly loved the finished effect over colour. There was an air of sophistication, timelessness and beauty.

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A Cultural Cacophony
Traveling Sara-Louise Dobson Traveling Sara-Louise Dobson

A Cultural Cacophony

Sometimes we find ourselves at a crossroads when we least expect it. Last year, my plans consisted of another year of my MA, whilst exploring opportunities within the creative arts industry for a future beyond my MA. In what now seems like a whirlwind, I took a sabbatical and found myself moving back onto land, and happened across an opportunity to teach art onboard cruise ships, whilst travelling the world.

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You Can’t Handle The Truth.
Discussing Sara-Louise Dobson Discussing Sara-Louise Dobson

You Can’t Handle The Truth.

It has been several years now since I started this journey, and I have encountered more frustration than I could have possibly imagined. Embracing my passion for the arts, simultaneously allowed me to pull down the mask and see the world completely unfiltered, but that also meant bearing my own self to the world, perhaps in a way previously unseen.

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Nothing About Us Without Us
Observing Sara-Louise Dobson Observing Sara-Louise Dobson

Nothing About Us Without Us

Yesterday I took a trip to Manchester to visit the People’s History Museum. I have been looking forward to visiting for some time, as it is very relevant to my interests and work in activism and background in sociology and history. My first stop was the temporary exhibition on the ground floor ‘Nothing about us without us’. I was struck firstly by the exhibition poster created by Dolly Sen (2012), depicting a charity collection can - it is wounding to see such imagery, so simple yet effective.

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Soundbites & Textures: Walk With Me…
Observing Sara-Louise Dobson Observing Sara-Louise Dobson

Soundbites & Textures: Walk With Me…

Since working with a variety of materials, including the concrete and raw wool, I have been really keen to explore other senses and how these not only relate to my current art practice, but could perhaps better articulate the sense of community I am attempting to articulate within my work. Using audio is something I feel strongly about, and through experience of accompanying my artwork with audio previously, I feel it enhances the work - if done correctly.

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Interim Show Prep & Shoot
Creating Sara-Louise Dobson Creating Sara-Louise Dobson

Interim Show Prep & Shoot

There was a mix of emotions, preparing for the Interim Show, and an awful lot to learn. My initial intentions were to have a physical installation at Trinity Buoy Wharf - anything else felt second best, and almost as if I had failed. Jonathan helped me to realise the logistics of getting a heavy concrete structure to London would perhaps detract from the magic of creating. I decided following a chat with him, that setting up the installation at home, and doing a photo and film shoot would be a different dynamic, and one that I would certainly enjoy.

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Lancaster Craftivists
Creating Sara-Louise Dobson Creating Sara-Louise Dobson

Lancaster Craftivists

Tonight was the first group event for the Lancaster Craftivists, at the local Gregson Arts Centre. I recently set up the group to help bring attention to the Craftivist Movement in this area, whilst hopefully meeting other like-minded people within the community.

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‘Rocky’ Horror Show! (Take 2)
Creating Sara-Louise Dobson Creating Sara-Louise Dobson

‘Rocky’ Horror Show! (Take 2)

When I visualised an opposing structure using concrete and natural wool, I was incredibly excited by the idea. I felt the interim show would be the perfect opportunity to showcase this work in progress. I didn’t quite expect the trials and tribulations of its creation though….

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Reflecting on Study Statement 1.0 Submission
Reflecting Sara-Louise Dobson Reflecting Sara-Louise Dobson

Reflecting on Study Statement 1.0 Submission

Writing the statement was initially a very linear process; taking the sub-headings and completing the relevant sections. As I went along however, I felt a constant urge to change, adjust, adapt or add to. This process of collating all of my research, ideas and theories into a coherent document, was not only therapeutic and useful, but also gave me a stronger sense of direction, and reaffirmed my own confidence in my work.

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The Scars of Brent Delta
Reflecting Sara-Louise Dobson Reflecting Sara-Louise Dobson

The Scars of Brent Delta

When I first drove into the village, I was captivated by the skyline of Seaham; the contrast of heavy industry against the countryside landscape. I found beauty in this, where others perhaps didn’t.

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Functional Fibres Pt.2
Creating Sara-Louise Dobson Creating Sara-Louise Dobson

Functional Fibres Pt.2

As the New Year approached, I decided to submit my idea for these functional stationery products to UAL’s Not Just A Shop, with the hope of securing some valuable support in getting these products out into the world, whilst generating some well needed income.

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Inspiration from the Hungarian National Gallery
Observing Sara-Louise Dobson Observing Sara-Louise Dobson

Inspiration from the Hungarian National Gallery

Whilst I enjoyed the classical paintings from the 17th - 19th century, I was particularly drawn to the modern art area on the third floor, offering a delightful selection of paintings from artists such as Monostori-Moller and Barcsay, to name a few.

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Beyond the Iron Curtain
Reflecting Sara-Louise Dobson Reflecting Sara-Louise Dobson

Beyond the Iron Curtain

Much of the research and reading I have been doing lately, has come up with similar terms, encouraging me to think further about the direction of my practice. Images of raw materials, concrete, undecorated walls, demolition sites etc.

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