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An Interpretation of Franz Kline
This week I found myself thinking more about the work of Franz Kline and whilst simultaneously reading some work by Deleuze and Guattari, it got me thinking about the perspective of artworks - is our interpretation determined by our pre-existing knowledge or experience? educational level? and ultimately our socio-economic environment?
Nothing About Us Without Us
Yesterday I took a trip to Manchester to visit the People’s History Museum. I have been looking forward to visiting for some time, as it is very relevant to my interests and work in activism and background in sociology and history. My first stop was the temporary exhibition on the ground floor ‘Nothing about us without us’. I was struck firstly by the exhibition poster created by Dolly Sen (2012), depicting a charity collection can - it is wounding to see such imagery, so simple yet effective.
![RUINS [through a 35mm lens]](https://images.squarespace-cdn.com/content/v1/63428bed512c2c4e001f5726/6cfaae90-55a3-463f-9e12-99a91044584f/processed_20230101_143412+%281%29.jpg)
RUINS [through a 35mm lens]
- 3D
- activism
- art installations
- artivism
- B&W
- business
- community
- concrete
- construction
- craftivism
- crafts
- creating
- cyanotype
- dialogue
- divisions
- exhibition
- experiment
- explore
- film
- gallery
- handmade
- herdwick wool
- history
- identity
- injustice
- interpretation
- kline
- lego
- local
- man-made
- monochrome
- natural materials
- neurodiversity
- organic
- photography
- process
- punctum
- raw materials
- reflection
- representative
- sculpture
- sewing
- sketchbook
- social class
- social construct
- social justice
- textures
- travel
- visualisation
- wool
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