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Delving Deeper into Cyanotypes

One thing that stuck out in the last few months of my course, was the Grotto exhibition at CSM and some of the feedback provided by Jonathan for my Unit 2 assessment. It’s a medium that I hadn’t previously explored, so I was thrilled to get the opportunity to experiment with it during the lead up to Grotto.

Utopia 2024

Then upon reading the Unit 2 feedback, one thing that stuck with me was the idea of exploring the cyanotypes further. It’s something that I feel very drawn to, largely as it encompasses many of my interests in photography, monochromatic work and gives me the more hands on experience I enjoy.

So, over Christmas and New Year, I delved into researching more about cyanotypes, the different processes, use of chemicals vs organic materials, ways of toning the final image and began to experiment with different materials and processes.

I also love the idea of creating these in the outdoors; going on a little adventure and then capturing the moment, before undertaking all the processing and developing out in the open. I was getting poor results developing the images on my kitchen windowsill, largely due to the lack of sun at the moment. I decided to invest in a UV light and was astounded by the results in just 5 minutes! Jonathan also recommended a rechargeable portable UV light which I can carry with me and use on the go, which has been a worthwhile investment.

I used cuttings from my indoor plants to do tests on some paper I had prepared.

I prepped some small pieces of paper along with some cardboard I cut up from a cereal box. It was interesting to see the difference between the paper and cardboard too.

I developed these ones in water and white vinegar, then hung them to dry above my sink.
Later, the one on the left fell into a bowl of water in the sink!
This was done on cardboard but left in the sun.
I’ve started labelling all my prints so I can evaluate them a bit better. This one was the one that dropped in the sink and was processes using UV light and white vinegar, as you can see.
This was just a sun print using a few petals with only water for developing.

I went to the Lancaster University library over Christmas, but was surprised to find very little in the way of cyanotypes. In the end I ordered a book from the central library in Lancaster which has some good information about the different processes.

Since I did the small ones using the white vinegar, I also ordered a bottle of peroxide to see what the difference would be.

This past week I have been playing around with using the peroxide to develop. Once these are dry, I will come back with further updates.


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One response to “Delving Deeper into Cyanotypes”

  1. […] I feel it was a general exploration, but soon became a large part of my practice for the remainder of the year. As I researched and learned more about the different chemical uses […]

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About the blog

Sara shares her journey as an artist and creative, from her MA studies to exhibitions, research and exploration.

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